Showing posts with label Vampire Killing Kits. Show all posts
Showing posts with label Vampire Killing Kits. Show all posts

Thursday, July 14, 2011

Bugbears and Others

I added The BS historian to the 'Reading list' a coupla days ago, as the blog touches on a few issues pertinent to the field. Which ones? These...

Link
If there's anything I've learned from years of vampire research, it's that writings on the subject are rife with embellishment, misrepresentation, misinterpretation and flat-out lies. Now, you might be asking (depending on your poll choice), 'Hang on, vampires don't exist. It's not like it matters. They're imaginary.' To which I say, 'Maybe so. But you didn't make them up.'

When Rousseau wrote, 'There is not an historical fact in the world more fully attested, than that of the Vampires' (1763, p. 56), he wasn't kidding. Just to be clear, he wasn't upholding their reality, he was commenting on their status as a well-documented species. Regardless of one's personal beliefs on their 'existence', the vampire is as much a historical being - as portrayed by exhumation reports, folk beliefs and oral tales, etc. - as an 'imaginary' one. Proper respect needs to be given to their historical and cultural origins, ensuring they're represented accurately, without recourse to, well, making stuff up.

That's why I appreciate - and practice - the sceptical approach to texts in this field. It's a purgative (the reason why I called one of Elizabeth Miller's books an 'enema') approach in a field waist-deep in mud and dirt. Now, that doesn't mean I go around pooh-poohing the very idea of vampires themselves. That'd be almost redundant. No, I'm more interested in seeing whether what has been said about them is accurately relayed. You'd be surprised at how much speculation is presented as fact.

For instance, do you recall the Venetian 'vampire' unearthed in 2006? One major problem with that name: Venice has no extant vampire tradition. The whole case pretty much hinged on the skeleton of a woman in a plague pit found with a hunk o' brick in her mouth. This lead many to conclude that the item had originally been placed there as a method to prevent her feeding on the living. However, other explanations were possible, as the bshistorian recounts:
Yet another possibility, very relevant in this case, is some sort of prophylactic against the disease itself – sure, this woman was the only one in her mass plague pit grave to be so dealt with – yet lots of individuals in this Anglo-Saxon cemetery had stones in their mouths. A whole pit of vampires? Unlikely. Disease victims? More plausible. Or once again, were they punished criminals, or morally deficient in some way? We can’t really know. Nor can we with this Venice “Vampire”.
And that's the point. No need to automatically jump to that conclusion. I would also add that closer scrutiny should be given to the extant traditions in these locals. While debate continues over 'vampire's' etymology (see Kreuter 2006), we can at least agree that the tradition was centred in Slavic territories, as attested by its very name. However, it's generally accepted that the vampire is a universal tradition. To do so, however, a lotta wrangling's gotta be done over the definition of 'vampire'. The term, itself, however, applied to a specific type of revenant. This is also acknowledged by bshistorian:
One of the vampirologist’s (and indeed BS Historian’s) bugbears is the phenomenon of myth-creep. The more paranormal ideas are milked for their intellectual and commercial appeal, the more we see them distorted and modified to incorporate unrelated bits of history and folklore. In the case of the vampire it’s often an attempt to give it greater antiquity, presumably because the early 18th century isn’t far back enough for the first sightings of beings who we now think of as immortal. In fact that idea is itself a retrofit of a fictional, rather than folkloric attribute of the vampire.
LinkA word on 'the early 18th century' mention. Clearly, the era in which the vampire entered popular consciousness, is being alluded to here. However, there's precious little evidence that the tradition stretched much further back than that. Augustin Calmet, famous for his dissertations on vampires, made reference to the vampire's historicity:
In this age, a new scene presents itself to our eyes, and has done for about sixty years in Hungary, Moravia, Silesia, and Poland; men, it is said, who have been dead for several months, come back to earth, talk, walk, infest villages, ill use both men and beasts, suck the blood of their near relations, destroy their health, and finally cause their death; so that people can only save themselves from their dangerous visits and their hauntings, by exhuming them, impaling them, cutting off their heads, tearing out their hearts, or burning them. These are called by the name of oupires or vampires, that is to say, leeches; and such particulars are related of them, so singular, so detailed, and attended by such probable circumstances, and such judicial information, that one can hardly refuse to credit the belief which is held in those countries, that they come out of their tombs, and produce those effects which are proclaimed of them.
Antiquity certainly neither saw nor knew anything like it. Let us read through the histories of the Hebrews, the Egyptians, the Greeks, and the Latins; nothing approaching to it will be met with (1850 [1751], p. 2).
In this century, G. David Keyworth (2006) upheld Calmet's comments in his examination of vampire traits, by comparing them with other folkloric and legendary beings. He'd later expand his findings into a book (2007).

The attempts to give vampires a 'greater antiquity' for 'intellectual and commercial appeal' has been exploited in a variety of different ways. One of the obvious ones concern the popularity of vampire killing kits (VKK). That is, high-priced antiques sold off as genuine 19th century novelties. There are three things majorly wrong with this practice. Firstly, they're fake. Second, auctioneers present them as legit (which, in turn, can only cast a dim light on the profession, itself). Third, actual historical items are misrepresented - some, defaced - in the process of creating these kits.

The bshistorian has given brilliant coverage to the VKK 'industry' here, here, here, here, here and here. We need more blogs like that, not just in paranormal research, but in vampirology, too. It's one thing to enjoy vampires as entertainment, it's another to purposefully misrepresent their history and deceive others, to score a quick buck. So, my hat's off to BS!


References

Calmet, A, 1850 (1751), The phantom world: or, the philosophy of spirits, apparitions, & c., vol. 2, trans. H Christmas, Richard Bentley, London.

Keyworth, GD, 2006, ‘Was the vampire of the eighteenth century a unique type of undead-corpse?’, Folklore, vol. 117, no. 3, pp. 241–60.

Keyworth, [G]D, 2007, Troublesome corpses: vampires & revenants from antiquity to the present, Desert Island Books, Southend-on-Sea.

Kreuter, PM 2006, 'The name of the vampire: some reflections on current linguistic theories on the etymology of the word vampire', in P Day (ed.), Vampires: myths and metaphors of enduring evil, At the interface/probing the boundaries 28, Rodopi, Amsterdam, pp. 57–63.

Rousseau, JJ, 1763 (1762), An expostulatory letter from J.J. Rousseau, citizen of Geneva, to Christopher de Beaumont, Archbishop of Paris, London.

Thursday, August 5, 2010

Vampire Killing Kit Update!

As mentioned previously, one of the dubious Blomberg vampire hunting kits can be found in the Mercer Museum, Doylestown, PA. So, I decided to contact them, to get the lowdown on their famous "artefact".


Shortly after writing "The Scoop on Vampire Hunting Kits", I e-mailed Cory Amsler, Vice President, Collections and Interpretation, of the Mercer Museum ("Vampire Killing Kit", Thursday, 22 July 2010 12:15:51 AM):
Good evening,

Apparently, there is a vampire killing kit in your museum's collection, allegedly of nineteenth century vintage. Has it been authenticated?
Here's what he wrote back ("RE: Vampire Killing Kit‏", Thursday, 29 July 2010 11:29:17 PM):
Mr. Hogg -

It is believed to be one of the compilations of both historical items and "made up" artifacts that found its way into the antiques market sometime in the 1970s or 1980s. We had some portions of it analyzed in the labs of the Winterthur Museum and learned that the "silver" bullets are actually pewter (not a surprise given their lack of tarnish) and that the paper is of 20th century vintage that has been artificially "aged." We use it currently to contrast traditional and contemporary vampire "lore," help interpret the origins of some vampire beliefs, and to demonstrate the use of scientific methodologies in authenticating artifacts.
The "1970s" date is contemporary with Michael de Winter's claims, however, the pewter bullets present an interesting conundrum. You see, pewter is "a malleable metal alloy, traditionally between 85 and 99 percent tin, with the remainder consisting of copper, antimony, bismuth and lead." Yet, de Winter says the "silver" bullets in the kit he allegedly manufactured "were difficult to produce due to the higher melting point of silver when compared to lead".

Why didn't he just say they were made out of pewter?

I can take a few guesses:
  1. The Winterthur Museum's analysis is incorrect.
  2. de Winter forgot about making the bullets from pewter, or declined to mention it.
  3. de Winter lied about manufacturing the kit.
  4. The Mercer Museum's artefact is actually a replica of an extant fake. A Blomberg imitation, if you will.
And that's the thing. There's no doubt the kit's a fake. As Amsler pointed out, even the paper's been artificially aged. Despite the slight hole in de Winter's account, I'm yet to be convinced any 19th century vampire killing kits existed. Clearly, there was a thriving trade in these fakes, and it gets pretty tragic when the unsuspecting cough up nearly $15,000 for 'em. Word to the wise, folks: if you're gonna spend that kinda dough on an "antique", make sure you get the bloody thing authenticated first! Sheesh.

Thursday, July 22, 2010

The Blomberg Effect

I've discussed the dubious authenticity of "nineteenth century" vampire hunting kits. Now let's take a look at a few more of recent stock.

But at least they're not fobbed off as "authentic". Perhaps spurred on by the popularity of these kits in auctions, looks like a niche market's been found: retro vampire hunting kits. There's been no shortage of prop makers stepping up to the plate to cater for this crowd, and they charge substantially less than the "vintage" models that sell in auctions ($US14,850 in one case).

The demand for these derivatives, and the subsequent market it's spun off, is what I call the Blomberg Effect. One such company that's hopped on board is Heroes Club. Here's their Special Deluxe Edition Vampire Hunter Killing Kit. It sells for US$468.


Then we come to Alex CF's incredibly ornate twist on the vampire killing kit: the Vampiric Anatomical Biological Research Case. While no specific price is given, his website mentions that a "typical research case is priced at around £1000."


His French Vampyr Hunting Case No. 3 is no longer available.

Lastly, we arrive at the other end of the scale. The bargain bin stuff, if you will. Thus, you can buy Corpses for Sale's "Roman Catholic Approved" Vampire Hunters Kit, for a relatively measly US$85:


Wednesday, July 21, 2010

The Scoop on Vampire Hunting Kits

Vampire hunting kits, allegedly from the nineteenth century, have done the rounds in auctions, fetching high prices. But there's questions surrounding their authenticity. Are they legit?


I first read about these things in J. Gordon Melton's The Vampire Book: The Encyclopedia of the Undead (Detroit: Visible Ink, 1994). Here's what he had to say about 'em:
No discussion of vampire products would be complete without mentioning the several anti-vampire kits. The first such kit was alleged to have been produced by Nicolas Plomdeur, a gunmaker in Leige, Belgium, in the mid-nineteenth century. His kit included a real pistol made in the shape of a latin cross, a silver bullet, a wooden spike, powder flask, and a clove of garlic. The only known surviving example of the Plomdeur kit is owned by Val Forgett of the Navy Arms Co. A similar kit can be found in the Mercer Museum at Doylestown, Pennsylvania. This kit's wooden box contains a pistol, two silver bullets, a cross attached to a wooden stake, a magnifying glass, some garlic, and several "serums" especially formulated by the kit's manufacturer, reputedly a Dr. Ernst Blomberg. The kit was reportedly designed for nineteenth-century English-speaking travelers going to Eastern Europe (458).
Melton's used two magazine articles as his source for this info:


But I was still somewhat skeptical of the authenticity of such kits. After all, where were the contemporary references to their usage? The items, themselves, seem seem suspicious. As The Concrete Tomb of Hradzka notes:
You may, or may not, have the same gut reaction I did: "Hey, wait a minute." That's what a modern vampire hunter might pack (with the silver bullets in case you run into a werewolf), but it's not what a 19th-century vampire hunter would carry. Dracula met his death by bowie knife, Carmilla was hacked up with an axe (I think), Varney threw himself into Mount Vesuvius, and Lord Ruthven got clean away when Polidori got writer's block. If you go back to the lore (Montague Summers's fascinating THE VAMPIRE IN EUROPE is a wonderful source), you'll see that the way we think of vampires, and killing them, is most strongly based on 1) Stoker's novel and 2) the movies it inspired.
A startling answer to that quandary might've come in 2005, from a firearms hobbyist named Michael de Winter:
My story starts in or around 1970 when I was employed in the printing industry. My hobby was buying, selling and refurbishing antique guns. I sold mainly at the famous Portobello Market in London. My usual stock of guns for sale was only 10-20 at any one time and these tended to be of superior quality. I had a number of regular clients who arrived every week to see if I had any new stock. One of my regulars wanted a fine flintlock pistol and asked me to take in part exchange a Belgian percussion pocket pistol. I grudgingly agreed and allowed him £15.00 off the price of the flintlock.

So, here it is, a poor quality pocket pistol in mediocre condition! What to do with it? That was my question. Having an extremely fertile imagination and being an avid reader, I was inspired. It occurred to me that I could produce something unique that would be a great advertising gimmick and would attract people to my stall. The Vampire Killing Kit was on its way.
Then how does one account for the Belgian gunmaker, Nicolas Plomdeur, and Dr. Ernst Blomberg?:
Regarding Professor Ernst Blomberg and the Gunmaker of Liege, Nicholas Plomdeur, both these gentlemen were figments of my imagination and I was amazed to find mention on a Website of Nicholas Plomdeur’s early career in Paris.
Nonetheless, some express doubt with de Winter's confession. A thorough investigation of the claims about various Blomberg (and Plomdeur) kits can be read at Spooky Land. However, general consensus holds that the kits are fake, even if some possibly preclude de Winter.

There are too many anachronistic and urban legend-like elements in the stories behind the kits. Cited documents associated with their makers can not be traced, while others are revealed as outright frauds. If that doesn't attest to the fakeness of these things, I dunno what will.
Related Posts with Thumbnails

News