Monday, August 31, 2009

Further Contribution Manifests

In "Let's Hope These Wishes Come True", I wrote that "you can never have enough vampire encyclopedias!"

Well, looks like there's another one on the way!

Theresa Bane, author of Actual Factual: Dracula, A Compendium of Vampires (2007), mentions a new book she's got coming out, in her blog entry, "E Book Edition of Encyclopedia of Vampire Mythology".

However, we'll have to wait till next year for its release.

Definitely looking forward to that one.

Sunday, August 30, 2009

My Aborted Mixtape

My recent blog entries on vampire-themed tunes reminded me of an attempt I once made at a such a mixtape, myself.

Now I should mention that to me, mixtapes are like compilation albums, and I treat 'em as such. Therefore, they get album names. This one was gonna be called Rockin' from the Coffin, but I only managed to get a few songs for it, before abandoning it to the sands of time.

Here's the tracks I chose for it, with the album they're from and the year they was released:
  1. Rigor Mortis - "Vampire" (Rigor Mortis, 1990)
  2. Rasputina - "Transylvanian Concubine" (Thanks for the Ether, 1996)
  3. Damien Storm - "Vampire Stalks the East Wing" (Horror on St. Lime's Hill, 2000)
  4. Godsmack - "Vampires" (Awake, 2000)
  5. Monstamorgue - "Cemetery Nights" (Tales of Terror, 2003)
Every Hallowe'en, at least, for the last few years, I have a stab at making a mixtape/compilation album, too.

I posted one such example as a comment on The Vault of Horror's "The Tuesday Top 10: Favorite Horror-Themed Songs".

Vampir-Musik für jeder!

While I was researching the previous blog entry, I stumbled upon a German site, with a French title, called Bibliothèque des vampires.

Its music page is incredibly comprehensive, to the point that it even includes songs like A*Teens' "Gimme! Gimme! Gimme! (A Man After Midnight)" because it appeared on Der kleine Vampir soundtrack.

Still, I'm impressed with the webmaster's work.

A Little Night Music

"Transylvanian rock band" (ahem), The Fangs, have released a single called, "Vampire Empire" (2009).

It asks a compelling question: "How many bites does it take, does it take, to get to the center of your love?":




One can only hazard a guess.

Anyway, while we're on the subject of vampire-themed music, let's take a look at mixtape suggested by Leonard R. N. Ashley's deeply-flawed The Complete Book of Vampires (London: Souvenir Press, 1998), p. 153.


Be wary of turning it into a commercial release, however, as he warns he'll "sue in the best pop tradition".

Here's his primary tracklist, numbered, by me, for your convenience:
  1. Alice Cooper's "Fresh Blood"
  2. Autopsy's "Fiend for Blood"
  3. Bathory's "Woman of Dark Desires"
  4. Bauhaus' "Bela Lugosi's Dead"
  5. Birthday Party's "Release the Bats"
  6. Blue Oyster Cult's "Tattoo Vampire"
  7. Coroner's "Nosferatu"
  8. Dark Theater's "Undead"
  9. Dark Throne's "Transylvania Hunger"
  10. Dupont's "Screamin' Ball at Dracula Hall"
  11. Entombed's "Blood Song"
  12. Excruciating Pain's "Nosferatu"
  13. J. Geil's Band's "Fright Night"
  14. Grave's "Riboflavin Flavored Non-Carbonated Polyunsaturated Blood"
  15. Iron Maiden's "Transylvania"
  16. LA Guns' "Hollywood Vampires"
  17. Legendary Pink Dots' "Casting the Runes"
  18. Mazzy Star's "Taste of Blood"
  19. Mercyful Fake's "Return of the Vampire"
  20. Motorhead's "Waltz of the Vampire"
  21. Shroud's "Lovers' Bones"
  22. Siouxie and The Banshees' "We Hunger"
  23. Sting's "Moon over Bourbon Street"
  24. Warfare's "Screams of the Vampire"
  25. Wire's "Feed Me"
I've been doing a little digging to see which albums they're originally from. In the process, I've also noticed that Ashley listed a few band names incorrectly, made spelling errors, and, in one case, even included a song that doesn't exist.
  1. Dada (1982)
  2. Acts of the Unspeakable (1992)
  3. Under the Sign: The Sign of the Black Mark (1987)
  4. Bela Lugosi's Dead (EP) (1979)
  5. The Birthday Party, Junkyard (1982)
  6. Blue Öyster Cult, Agents of Fortune (1976)
  7. R.I.P (1987)
  8. The Dark Theater, Matters of Life and Undeath (1990)
  9. Darkthrone, "Transilvanian Hunger", Transilvanian Hunger (1994)
  10. I'm not certain at the moment, but the band was The Duponts, and it appears to have been released as a single in 1958. See also Allmusic article on the band. Song also appears as, "Screamin' Ball (At Dracula Hall).
  11. Wolverine Blues (1993)
  12. Thou Shall Choose (1992)
  13. J. Geils Band, Fright Night: Original Motion Picture Soundtrack (1985)
  14. 45 Grave, "Riboflavin Flavored, Non-Carbonated, Polyunsaturated Blood", Autopsy (1987)
  15. Iron Maiden (1980)
  16. L.A. Guns did release a 1991 album of this name, but no songs of this name, as their discography reveals.
  17. The Legendary Pink Dots, Any Day Now (1987)
  18. She Hangs Brightly (1990)
  19. Return of the Vampire: The Rare and Unreleased (1992)
  20. Dirty Love (1989)
  21. The Shroud, Drowning Dreams (1992)
  22. Hyæna (1984)
  23. The Dream of the Blue Turtles (1985)
  24. Properly called War Fare, Ashley seems to have combined two of their songs into one. Their 1990 album, Hammer Horror, has two tracks of a similar name: "Scream of the Vampire: Part 1" and "Scream of the Vampire: Part 2".
  25. The Ideal Copy (1987)

Thursday, August 6, 2009

Before Rod Ferrell...

CRwM of And Now the Screaming Starts, has uncovered an article from the January 27, 1890 edition of the Brooklyn Eagle that reports on an obscure religious sect that believed in the curative properties of consuming human blood.

Here's an extract from the reproduced article:
About a year ago there appeared among the people of that neighborhood a man named Silas Wilcox, who went about the country preaching the doctrine of doing good for the sick. It was not long until he had a sufficient number of converts to his theories to warrant him in founding a sect, which he called the Samaritans. Gradually he widened his teachings to his little band until he openly advocated the drinking of blood for all diseases, giving as authority for such action the fact that the Bible taught that the blood was the life.
This notion was clearly based on a highly distorted reading of Biblical admonitions against consuming blood. Take Deuteronomy 12:23:
Only be sure that thou eat not the blood: for the blood [is] the life; and thou mayest not eat the life with the flesh.
And Leviticus 17:10-14:
And whatsoever man [there be] of the house of Israel, or of the strangers that sojourn among you, that eateth any manner of blood; I will even set my face against that soul that eateth blood, and will cut him off from among his people.
For the life of the flesh [is] in the blood: and I have given it to you upon the altar to make an atonement for your souls: for it [is] the blood [that] maketh an atonement for the soul.
Therefore I said unto the children of Israel, No soul of you shall eat blood, neither shall any stranger that sojourneth among you eat blood.
And whatsoever man [there be] of the children of Israel, or of the strangers that sojourn among you, which hunteth and catcheth any beast or fowl that may be eaten; he shall even pour out the blood thereof, and cover it with dust.
For [it is] the life of all flesh; the blood of it [is] for the life thereof: therefore I said unto the children of Israel, Ye shall eat the blood of no manner of flesh: for the life of all flesh [is] the blood thereof: whosoever eateth it shall be cut off.
Vampire enthusiasts may recognise "The blood is the life" from its appearance in Bram Stoker's Dracula (1897). It is uttered by Renfield:
Before he could strike again, however, I got in my right hand and he was sprawling on his back on the floor. My wrist bled freely, and quite a little pool trickled on to the carpet. I saw that my friend was not intent on further effort, and occupied myself binding up my wrist, keeping a wary eye on the prostrate figure all the time. When the attendants rushed in, and we turned our attention to him, his employment positively sickened me. He was lying on his belly on the floor licking up, like a dog, the blood which had fallen from my wounded wrist. He was easily secured, and to my surprise, went with the attendants quite placidly, simply repeating over and over again, "The blood is the life! The blood is the life!"
F. Marion Crawford also borrowed the title for his 1911 short story, "For the Blood Is the Life" and it also manifests in Leonard G. Heldreth and Mary Pharr's non-fiction anthology, The Blood Is the Life: Vampires in Literature (1999).

Tuesday, July 28, 2009

Widget the Comment Watcher

Look to your right, and you'll see that I've added the "Recent Comments" widget to my page. If you're a fellow Blogger blogger and you wanna add it too, then click here.

If you want to know what this blog entry's title obscurely puns, then click here.

Nothing to do with vampires, I'm afraid. But something just as freaky.

Manchester Vs. Miller

I was originally going to post this on my other blog, but decided it'd be more fitting here.

An anonymous poster I affectionately refer to as "TFO" (also given coverage here), left a comment on "The Mystery of Luisa, Pt. 3". It criticised Elizabeth Miller's coverage of Sean Manchester's theory on the historical identity of Bram Stoker's Count Dracula, in her book, Dracula: Sense & Nonsense (Westcliff-on-Sea, Essex: Desert Island Books Limited, 2000):
The Vampire Research Society has had several confrontational run-ins with Elizabeth Miller who has her own personal agenda and allegiances in the subculture. She has been found wanting on a number of occasions.

For example, Elizabeth Miller’s treatise on the novel Dracula in the year 2000 refers to what readers are told is an argument put forward by Seán Manchester, but, in fact, is a quote from established error in Carol Page’s "Blood Lust" published nine years earlier.
Let's take a look at what Miller actually wrote (p. 111):
In fact, this line of debate has resulted in outrageous conclusions, most notably by Sean Manchester who argues that the fifteenth-century Hungarian leader Janos Hunyadi "fits the bill [as the model for Dracula] much better [than Vlad], since he was a count, and Vlad wasn't.
Miller is referring to the occasional habit of some writers to "correct" Count Dracula's title, as the real Dracula was a voivode.

She points out that to do so is nonsensical, as Stoker's Dracula was a fictional creation, not an accurate rendering of a fifteenth century Wallachian warlord.

Now, let's take a look at what Sean Manchester's theory actually consisted of.

If we turn to pages 82-83 n1 of his book, The Highgate Vampire: The Infernal World of the Undead Unearthed at London's Famous Highgate Cemetery and Environs (London: British Occult Society, 1985), we find this:
Philologists at the Sixth Congress of Onomastic Sciences in Munich in 1958 designated Vlad Tepes, who ruled Wallachia from 1456-62 and again briefly in 1476, as Bram Stoker's Dracula. Since then virtually every writer on the subject unquestioningly endorsed this theory. This author, however, does not and identifies Janos Hunyadi (1407-56) as the historical Dracula.
Under what justification?
Stoker describes Dracula as having the title Count of Beszterce which was historically one of the titles of Hunyadi, as was Voivode (govenor) of Transylvania and Count of Temes (now Timis, Romania).
"Beszterce", it should be noted, is the Hungarian name for Bistriţa, referred to by its German name, in Stoker's novel, as "Bistritz". To my knowledge, the Count doesn't explicitly refer to himself as the Count of either of these places. Although, I'm happy to be corrected.

Also, as you can see, even though Miller quotes secondhand and paraphrases, Manchester's references to Hunyadi's titles of "Count" as opposed to Vlad's, are clear indications that Manchester considers these "discreprencies" to be valid enough for inclusions in his argument.

On with the theory:
Hunyadi was the most successful military leader against the Turks in the fifteenth century, which again fits Stoker's description.
Then why is Vlad considered to be a national hero by many Romanians? Oh, that's right - for leading attacks against the Turks.

Here's more on the theory:
Vlad the Impaler, on the other hand, was in the wrong geographical location and spent a great deal of time in prison.
As it happens, Vlad was actually born in Transylvania. Maybe he came home?

Second, considering that Castle Dracula (as Stoker describes it, at least) does not actually exist, then how can the geographic description be wrong?

Again, we're talking about a vampire Count, here. Not a real guy.

And here's the conclusion of the theory:
When Hunyadi died on 11th August, 1456, it was from an epidemic of plague at a time when plague was strongly associated with vampirism.
That would hinge largely on one's interpretation of "vampirism". I challenge anyone to find examples of supposed bloodsucking corpses, in association with the plague, roaming about at this time. I can almost guarantee you'll come up lacking.

While Hunyadi did die of the plague, you certainly won't find any references to him returning from the grave as a vampire, either.

He's regarded by Romanians and Hungarians, as a national hero, himself.

So, in conclusion, did Miller jump the gun on Manchester?

Yes and no.

Her secondhand overview of his theory is a tad too simplistic and dismissive, but, on the other hand, Manchester's theory doesn't hold up well under even the most basic scrutiny, either.
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