I'm so glad I cautiously-worded my coverage of certain obscure vampire lore in one of Andy's movie reviews.
We're talking about the nailing-the-vampire-through-the-head thing as a means of 'destroying' an undead. I said that he 'may or may not know' that it had a 'European precedent'. Turns out, he did know (I shoulda known he would). Here's his reply:
We're talking about the nailing-the-vampire-through-the-head thing as a means of 'destroying' an undead. I said that he 'may or may not know' that it had a 'European precedent'. Turns out, he did know (I shoulda known he would). Here's his reply:
Hi Anthony, good article.All good points and I like that Andy's openly discussing his interest in comparative folklore; a common theme in vampire studies.
I was aware of the European lore - especially via Calmet. I also take the point that the filmmakers were likely looking to European lore rather than anything further flung.
The fault is mine for not explaining what I meant. I was more alluding to an accidental connectivity, perhaps alluding to a subconscious undercurrent.
Why was a stake or a nail used? To pin the undead to the floor primarily (or in Indonesia to strip them of their powers, essentially the same thing).
This would allow for a generally common theme (and possibly sources back to post-mortem sitting of corpses, which I understand is more common than we'd think)
I like such connections and perhaps should have mentioned the, clearly, more obvious European connection.
Re your quote concerning the location of the nail (ie back of the neck), this is a more common entry point (from my researches), but at least one Indonesian films switches things to the crown of the skull. The forehead makes for a more visually immediate scene, when the corpse is coffin bound ;)
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